{"version":"1.0","provider_name":"Cesarini","provider_url":"https:\/\/www.francocesarini.com\/de\/","author_name":"christina.liebi","author_url":"https:\/\/www.francocesarini.com\/de\/author\/christina-liebi\/","title":"Il Barbiere di Siviglia - Cesarini","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UuFV5qjLR6\"><a href=\"https:\/\/www.francocesarini.com\/de\/werke\/il-barbiere-di-siviglia-franco-cesarini-blasorchester\/\">Il Barbiere di Siviglia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.francocesarini.com\/de\/werke\/il-barbiere-di-siviglia-franco-cesarini-blasorchester\/embed\/#?secret=UuFV5qjLR6\" width=\"600\" height=\"338\" title=\"&#8222;Il Barbiere di Siviglia&#8220; &#8212; Cesarini\" data-secret=\"UuFV5qjLR6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.francocesarini.com\/wp-content\/uploads\/2021\/09\/1789-10-010-M.jpg","thumbnail_width":283,"thumbnail_height":357,"description":"Die Oper Der Barbier von Sevilla war bei ihrer Premiere ein verheerender Misserfolg f\u00fcr Rossini und fand erst nach Austausch der Ouvert\u00fcre den Beifall des Publikums. Seither wird die Oper auf der ganzen Welt gespielt. Franco Cesarini bearbeitete die in mehreren Versionen existierende zweite Ouvert\u00fcre, in der das ber\u00fchmte Rossini-Crescendo nat\u00fcrlich nicht fehlen darf, f\u00fcr Blasorchester.\u00a0"}